I sing of a maiden (2016, rev. 2024)

SATB

Duration:
4′

First performance:
7 December 2016
King’s College Chapel Choir, David Smith, St Machar’s Cathedral, Aberdeen

English premiere:
13 December 2019
Jubilate, James Potter, Keble College, Oxford, UK


Score


Programme note

I sing of a maiden, is a simple setting of the beautiful medieval lyric poem on the Annunciation. The text has been set by some of the leading twentieth and twenty-first century composers, and with the simplicity and stillness of the poem it is easy to understand why. My setting takes the serenity of the text and works it through the different sections. The work is in an ABBBA form with the opening alto solo returning in two guises at the end: firstly in a jubilant full choir harmonisation, then a soft reprise of the opening.

There is an emotional duality in the text of I sing of a maiden that I tried to capture in my setting: on the one hand there is rapture of the Annunciation and all that entails, but there is also the delicacy and introversion of the Virgin Mary at this critical moment. I wanted to capture some of this introversion and at the same time pay homage to great carols of the early twentieth century that do the same – Peter Warlock’s Bethlehem Down and Herbert Howells’s A Spotless Rose – I hope in some part to have done this.

PAC


Recording

Tobias Patrick Wolf

Tobias is an award-winning German conductor and composer based in North East Scotland. He is Music Director of the renowned King’s Studio Orchestra (Scotland), the Braeside Singers (Aberdeen) and Principal Guest Conductor of the German Winds. Tobias is PhD researcher at the University of Aberdeen, exploring hybrid composition and performance practice. Sought after as guest conductor for ensembles around the globe, he brings new music to life — for audiences in the concert hall, on radio and television, and across multi-platform online streaming services.

https://www.tpwolf.com
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