A good week for performances with the Cathedral Singers of Christchurch, Oxford, giving the premiere of the SATB version of Missa Brevis (2011) in service at the cathedral on the 05 January followed shortly after by the premiere of my setting of Laurie Lee’s Twelfth Night (2017) given by the Glasgow Chamber Choir, conducted by Michael Bawtree. This performance will be broadcast live on BBC Radio 4 Sunday Worship at 08.00 on Sunday 08 January.
There was a lovely broadcast on Classic FM last night (23/12/16) of my arrangement of Silent Night performed by the University of Aberdeen Chamber Choir, conducted by Paul Mealor. Amongst other festive fayre, there were pieces by Paul and by Sarah Rimkus, one of my PhD students.
I have recently been commissioned to write two new pieces for performance next year. The first of which is a setting of Laurie Lee’s Twelfth Night for the Glasgow Chamber Choir, which will be performed on the 8 January in a live broadcast for BBC Radio 4 Sunday Worship. The second is a ‘pop-up’ opera for the 2017 SOUND festival, taking the 1715 Jacobite Uprising (one of my anorak interests…) as it’s theme. More information to follow.
This rather fetching video recently appeared showing the forthcoming CD from the University of Aberdeen Chamber Choir, which will be available to buy from the 20 January (just in time for Burns Night). The CD features my arrangement of Green Grow the Rashes, O! amongst lots of other lovely arrangements and originals.
Here are some photos from the recent recording session at St Mary’s Chapel, Blairs, Aberdeenshire. Paul Mealor conducts the University of Aberdeen Chamber Choir.
Next month sees the recording of my arrangement of Robert Burns’s Green Grow the Rashes, O! (2016) by the University of Aberdeen Chamber Choir, conducted by Paul Mealor. The recording is a CD entirely of new Burns arrangements by staff and students of the Department of Music at the University of Aberdeen, including PhD students of mine Edward Rhys Harry and Sarah Rimkus. The recording will be made at the beautiful St Mary’s College, Blairs, Aberdeenshire and will be released on the university’s own Vox Regis label next year.
This autumn will see two performances (including the Dutch premiere) of my Housman setting How clear, how lovely (2010) in the beautiful university town of Leiden. The work will be performed by the choir Het Zingend Hart and conducted by Rob Kapetein.
Here are some photos of the premiere of The Song of Shadows (2016) which was given by the University of Aberdeen, Marischal Chamber Orchestra, with Kathleen Cronie (soprano) and conducted by Chris Gray. The performance took place in the impressive Sir Duncan Rice library at the university.
June is one of the busiest months of the year so far with performances and premières across the country and further afield. The month begins with further performances by The Harry Ensemble of Veni Sponsa Christi (2015) in their Norwegian tour. On the 04 June the Lantern Singers of Elgin will perform How Clear, How Lovely (2010) in Aberlour, this is followed by two performances (in Aberdeen and Glasgow) of my new orchestral song cycle The Song of Shadows (2016) by the University of Aberdeen, Marischal Chamber Orchestra. The Northern Spirit Singers will give another performance of O salutaris Hostia (2008) as part of the Swaledale Festival on the 11 June. The month finishes with two performances of Prayer to St Alban (2016) at St Alban’s Cathedral (18-19 June) and the première of Judas Mercartor Pessimus (2016) at St John’s, Smith Square London by the Gesualdo Six on the 19 June.
It was really nice to hear my setting of O lux beata Trinitas (2013) on BBC Radio Scotland’s Classic Unwrapped yesterday. The recording was taken from the forthcoming CD of the same title by The Choir of King’s College, Aberdeen, conducted by David Smith. The programme can be heard here at about 1.22.00 in (available until 20 June). Two broadcasts on national radio in one day…